PlasmaDancer – Munted! Monthly! Episode 1, 17th December 2011 by FINRG Recordings
It seems as though a few people have been good enough to check out this set already, which went online a day or so ago. I genuinely couldn’t have wished for a better reaction from the Krafty chatroom crew on the night, and since then there’s been some really nice feedback from those who missed it first time around. I’ve actually had a couple of questions in the past from Horsers who wanted to know how I construct my sets, so permit me if I may to talk a little a lot about the thinking behind this one.
The general idea was to play exactly what I think freeform should/can sound like these days, but also to show that there’s no reason why the special atmosphere of older Finnish and Japanese tracks should disappear. A quick look at the tracklist shows there’s some really, really old stuff in there, as well as some brand new material.
01. Re-form – Decade
02. Re-form – Hold Your Ground
03. Betwixt & Between – Liberation
04. Dye In Sound – The Storyteller
05. Betwixt & Between – From the Abyss
06. Carbon Based – Psychotherapy
07. Vangelis – Rachel’s Song (Grimsoul bootleg remix)
08. Betwixt & Between – Self Extortion
09. Betwixt & Between – Point of No Return
10. Nomic & Pain on Creation – Chameleon
11. Grimsoul & Pain on Creation – Fury Theme
12. E-Noid – Order Chaos
13. Nomic – Unreal
14. Teranoid vs Betwixt & Between – Ayakashi
Having been clanging mixes together for a few years now I’m lucky enough to receive a lot of promo tracks, but recently I’ve been making a big effort not to include tunes simply because they’re new. I was aiming for a very particular atmosphere in this one, and ended up having to leave out some really excellent new stuff from a few different artists. That’s also the reason for the lack of Alek Szahala this time around – especially after Alek’s excellent HBC set I didn’t think there was much point in a mini ‘Alek section’, while I couldn’t find a way for any individual tunes to fit without changing the direction of the set. Having said that, both Timiquizqueh and Noitavasara were close to going in at one point.
The basic plan was to build the set around that melancholy/beautiful From the Abyss – Psychotherapy – Rachel’s Song section, with a fast/aggressive opening and then build up to a hard/melancholy final third. Overall I’m really happy with how it turned out – I might have liked a more gradual move from the early tunes into From the Abyss, but three ‘sections’ in an hour-long set doesn’t give you too much room for maneuver and I didn’t want to cut anything that was already in there. Oh, there are also a lot more breakdowns that I’d usually play – as it was a radio set, I thought some deeper/musical sounds might be appreciated by the home-listening crew, while still playing hard and nasty in between.
Another highlight for me was managing to use Point of No Return in a way that added to the flow of the set. It was a gamble deciding to include it, but I put a heck of a lot of effort into fitting it in as smoothly as possible. The rest of the Betwixt tunes are older, darker classics, as most of his current melodic/mainfloor tunes wouldn’t have worked this time around.
Congratulations to Re-form on Decade, it’s an amazing track and one that’s already building up quite a reputation since last weekend. It has just the right blend of pace, modern semi-dubstep, approachable melodies, and nasty synths, and it couldn’t have done a better job of starting off my set. As with most Re-form tunes it’s horrendously difficult to mix, but that slightly unexpected connection with Hold Your Ground really saved the day.
Isn’t Chameleon an incredible tune? Each time I listen to it I’m more impressed – it has to be one of the most creative/complex Finnish tracks so far in terms of melody and structure. I’m so glad it got a good response on the night, as did Unreal. Nomic’s omission from the FINRG anniversary lineup is a massive disappointment, so I was determined to show how important his sound is towards the end of the set. Unreal is another wonderful track, brilliantly described as ‘lullabycore’ by one of the chatroom crew.
Well once again, heartfelt thanks to Chip for the opportunity to play to a new group of freeform listeners, the reaction from the UK scene since last weekend has been very encouraging (special thanks to Endemic for a really nice post on the new Watchtower site). Track-related thanks to Re-form, Nomic, Betwixt & Between, Carbon Based and Dye In Sound, as well as to Alek Szahala and Substanced for their help. Final thanks to members of the TYFTH crew who made it into the chatroom on the night – I really appreciated the support, and thanks too for helping out with the tracklist/artist info during my set.
Stay tuned for a post on the other sets, including Chip’s excellent UK/Finnish/Japanese mix. Munted! Monthly! itself is a great concept, and from the sounds of things there’s plenty to look forward to over the coming months.
A very enjoyable and “Pearsall-esque” read there Jon. I always love reading blurb about mixes, shows the passion you have for our music/scene and the reasons/influences for track selection. It also adds another dimension to the mix when you understand the story behind it. My mixes tend to consist of a shit load of lager and whatever tunes I pull out of the cd wallet haha
I agree with Alderz there. If the DJ has put a lot of thought in the mix, and has points to make about the tunes and the selection, it’s going to be an interesting read.
Thanks guys, I thought I might have Pearsalled everyone into submission for a minute there 😉
I actually feel really strongly about this – I’m continually harping on about how we need more deep, emotional freeform, so the least I can do as a DJ is to put some serious thought into a set and do my best to ‘tell a story’ with what the producers come up with.
It takes a heck of a lot of effort, but so does making the music, after all. Just one comment like Aldz’s on soundcloud makes it all worth it…much appreciated 🙂
Definitely a time and place for an improvised set though, I’ve been trying hard to improve that side of things this past year.
Pearsalled is definately going in the dictionary haha
Haha, I read this a few days back but didn’t respond as I was doing family stuff, so imagine my surprise when I came back today to download the mix and find that, lo and behold, I am now a verb! 😀
Anyways, great read, really looking forward to checking out the mix, just putting it on now …
Well, if you don’t have to worry about efficiency, then the effort is no problem.
What few mixtapes I’ve made, have taken something like a (full) day to construct in Ableton, and finding the tunes is another thing on top of that. Live sets can take weeks, depending on how much live stuff there is to practice. I don’t consider it waste of time, though, because it’s something I really like to do.
Pingback: Pearsall presents Rampage Turbo 9 *NEW* at Sonicrampage
Pingback: roland
Pingback: jeffery
Pingback: antonio
Pingback: philip
Pingback: jessie
Pingback: Howard
Pingback: Jonathan
Pingback: Mathew
Pingback: Gordon
Pingback: herbert
Pingback: Gerard
Pingback: Brian
Pingback: Adam
Pingback: todd
Pingback: Erik
Pingback: Maurice
Pingback: peter
Pingback: rodney
Pingback: Derrick
Pingback: steven
Pingback: Kent
Pingback: Marshall
Pingback: Stanley
Pingback: jackie
Pingback: herman
Pingback: jessie
Pingback: Justin
Pingback: evan
Pingback: wallace
Pingback: dan
Pingback: Carlos
Pingback: derek
Pingback: shane
Pingback: Roy
Pingback: lyle
Pingback: max
Pingback: steven
Pingback: timothy
Pingback: austin
Pingback: Timothy
Pingback: jeffery
Pingback: Don
Pingback: homer
Pingback: Thomas
Pingback: raul
Pingback: Samuel
Pingback: Everett
Pingback: jeff
Pingback: earl
Pingback: Curtis
Pingback: Leroy
Pingback: duane
Pingback: Fred
Pingback: Samuel
Pingback: Steven
Pingback: Albert
Pingback: Mitchell
Pingback: anthony
Pingback: ernest
Pingback: Tim
Pingback: homer