Sorry the year ended without a post, but the Top 3 Tracks are being gathered together as we speak and will be appearing soon, along with a couple of other delayed bits and pieces. For now, let’s start 2017 with my favourite sets of last year.
2016 was a funny one for the scene – surely more releases than we’ve seen since the golden era of FINRG and Electronica Exposed, but not many events at all (other than in the UK) and fewer recorded sets than we’re used to. Hopefully all these releases in 2016 will have given DJs the ammunition they’ll need for the next twelve months.
On to the favourites from 2016, then. Most of the best sets arrived too soon for a lot of this new material, instead showing a familarity with older tracks that lends itself to more ambitious mixing and cohesive set construction. There’s still a long way to go for the scene in general (in comparison with DJs in some other genres – a thought I’ll save for another time), but there were some more really promising steps forward in 2016.
3. Nomic – Lucky Lotus Online Electronic Music Festival 6
Nomic’s set for Lucky Lotus 6 was one of his very best, not only thanks to the combination of very old and very new, but also the subtle approach to blending tracks and carefully switching key throughout the set. Neptune into Rule Breaker is a nice example, and it does wonders for the atmosphere. That aside, it’s another masterclass of melancholy into aggression and an absolute must-listen.
2. Solvynt – Lucky Lotus Online Electronic Music Festival 6
Solvynt was on top form last year with his Lucky Lotus 5 set, so I was obviously looking forward to number 6 as soon as he was confirmed on the lineup. It doesn’t disappoint, featuring some of darkest atmospheres and interesting transitions of the year. I mentioned at the time that the set suffers a slight dip after a very (very) strong start but then quickly picks up again, which is the only reason it wasn’t my number one choice. Listen and learn from Superstition – Purple – Tendrils of Reality though, that there is how the creativity of a DJ can not only link together, but actually add something extra speacial to the hard work of the artists themselves.
1. Shimotsukei – The Techno Shark Guest Mix
There was no stopping Shimotsukei in 2016, with a pretty staggering amount of mixing across all sorts of genres and even some very promising steps into production. Her end of year Le Dos-0n/Hyphen set came very close to defeating the Techno Shark, but in the end it was hard to deny two hours of excellently mixed tracks that match the TYFTH mission statement word-for-word. The first third-or-so of NRG is as good as you’ll hear anywhere, with some superb, ambitious mixing that maintains the atmosphere brilliantly. The length of the set means that things eventually have to start switching up more abruptly, but even among the freeform tracks there are some special transitions that make the whole two hours an exciting listen. Also worth mentioning what an excellent intro to the two genres this is – if you’re ever out proselytising among the non-believers, Shimotsukei’s set would be ideal.
Honourable Mentions
GULD, Hellfury, Midas, Orphic, Shimotsukei, Shimotsukei
I can only admire the diligence and taste with which Shimo put her mixes together, both in online streams and informal SC releases alike, especially in the hard music genre. Not to mention the energy put in Lucky Lotus and the (now) past year’s output, she is bound to become a great promoter of the freeform genre. Really, keep up the good work Shimo! :thump_up:
1. Shimotsukei vs Plasmadancer LL6 Set
2 . Shimotsukei – The Techno Shark Mix
3. Alabaster – LL6 set
Downloaded all 3 and look forward to checking them out properly this week. 🙂
I’ll have to go with you and Shimo’s LL6 set, Alabaster’s LL6 set, and GULD’s LL6 set, probably in that order. I really love how you, Shimo, and Solvynt all have those seamless transitions and structures now; I didn’t have a clue who did which part when I listened to your Lucky Lotus set live. I’m definitely biased in favor of artists doing mixes of all originals though, especially ones with such distinctive personal styles.