Unprecedented scenes here, as a second TYFTH set goes online within a month (or so) of the last stream. I’ll soon be away again for a week, but signs are that there’ll be at least one more in March. Enormous thanks once again to everyone who joined the stream, it’s a genuine pleasure to share these tunes and catch up in the chat.
Special mention to Butterfly Effect, sneaking its way into the set to become the first UK freeform track I’ve used for many years. The goa-style acid in the second half made it a contender for the stream’s psychedelic theme, and layering it above and below Man Eaten and Ancient Universe made for a good intro (and covered up some elements I wasn’t so keen on).
I was quite happy with the rest of the set considering how quickly I put it together – the Qygen section at the start is overly long because there were originally some other tracks in there that were cut at the last moment (plus they’re two of Qygen’s more enormous tracks, of course). Otherwise I’m pretty happy with how the set meanders around some freeform-adjacent genres but gets back on track for the final third.
One of the not-exactly-freeform tracks was Zoonoodle’s 国, which jambt0 corrected to 掴 during the stream. edit: Thanks to some Sherkel sleuthing it seem that 掴 is the right choice after all. Apologies to jmbt0! Isn’t it a great track, by the way? It’s long been in the running for the next FINRG set (and might still be), as it’s minimal enough to use with just about anything while having a dark atmosphere of its own.
Next time might be the hard techno set I’ve mentioned before, as I’m banking on that being easier to put together in haste. Nothing definite yet though – let’s see what time allows.
Looked into the Zoonoodle track a bit and it turns out the official title is 掴 after all. https://soundcloud.com/siromaru460/crossfade-demo-for-c82
http://www.hekatoncheirbeats.jp/20120811_c82.html
I’d say its best get music info directly from the source whenever you can, such as the original Kreatrix credits on the Electronica Exposed site. CD “metadata” is generally pulled from Discogs or a similar third-party database. Apparently audio CDs can store some kind of text but this isn’t usually accessed.
Lots more greater things to say about the set, of course, with all its surprises at every turn and knowing when to leave a track on for longer. For now, may as well get this out of the way first before FINRG reposts it!
Thanks Sherkel, really appreciate the effort to get a better answer. It’s still slightly mysterious where that CD info came from, but that aside it seems that I’m the one to misread the album’s chaotic font.
I’ll get on the case to change the tracklist right away!
Haha, check your moderation queue…someone probably commented that already!